About Impostor:
Another great and very emotional game in the series. I would definitely recommend playing To The Moon and Finding Paradise first, without them the ending makes a lot less sense and a lot of the emotional impact would get lost. If I had to compare it directly to its two predecessors, the story is nearly just as great as the others, maybe a little less emotional towards the end as quite some complex explanations get thrown into the mix. The music is also very touching (again!) and very fitting for all the emotional ups and down. One aspect of this game I most definitely prefer over the others, it its beginning, which it a lot more mysterious and not as slow. Overall I would recommend this game to anyone who liked the other games, if you haven’t played them, start at To The Moon. The price is totally worth it imo, even with a relatively short play time, this game and its story is going to stay with you a lot longer. F.A.Q. says the game is a stand-alone, but it takes so much away to skip the previous two entries (Finding Paradise, to this day, is my favorite game of all-time). I associate the series with exceptional storytelling, but this one relied a little more on context from the over-arching story. It would be a disservice to not play the other two first Still, it delivered. Like its predecessors, Impostor Factory had me emotional as the credits rolled. And it’s not formula; each entry was an experience unique from one another. The ending looked like it could’ve gone in such a way that makes this entry the last, but it didn’t. Normally, I’d be worried, but Kan Gao has such a way with narratives that I trust Neil and Eva will get satisfying ends to their arcs. Regardless, Impostor Factory solidified the place in my heart the Sigmund Series already had.
